Looking for something to inspire your local choir or choral society? Our extensive range of choral repertoire includes works for Mixed Choir, Male Voice Choir, Female Voice Choir, Children’s & Youth Choirs, and Senior’s Choir, singing a Capella, with piano accompaniment, and with various other ensembles up to full orchestra.
Choral singing began to take form in the 9th & 10th Centuries, with the unison Gregorian Chant or Plain Chant. From the early Renaissance period, through composers like Palestrina , di Lasso and William Byrd true polyphonic choral music blossomed, and crescendo-ed through to a wonderful climax with Thomas Tallis’ Spem in alium for 40 parts, divided into 8 choirs.
As the form developed through the Renaissance into the Baroque period, composers such as Bach, Telemann and Händel gave the choir more and more autonomy, and through early operas and oratorios, married solo voices, choirs and orchestras together, to create these new musical forms, and inspired audiences with combinations of colours and sounds they had never before experienced.
Although there were many operas and oratorios written in the Classical period, sacred music also took a prominent role in shaping the development of choral music. While the chorus became a very useful tool on stage, Haydn, Mozart, Schubert and Beethoven composed many Masses, Requiems, Te Deums and Anthems to help brighten the world of church music, and uplift the hearts and souls of the congregation.
As opera continued to expand and stretch dramatic boundaries, choral music of the Romantic period was characterised by choral motets and anthems, and the oratorio grew into an even more varied and contrasting form. The oratorios Elijah and Paul are particularly noteworthy, since despite using Sacred themes, through the various musical facets at Mendelssohn’s disposal, they began to take on a much more operatic narrative. This can also be seen in the Requiems of Brahms and Verdi, where the choir itself, along with the orchestra, lead the dramatic storytelling.
Through the 20th Century, composers such as Ralf Vaughan Williams, Anton Webern, Arnold Schönberg, Benjamin Britten and Edward Elgar composed extensively for varying choral forces. Through these composers and many others, we begin to see choirs being tested and stretched, both technically and dramatically, and being pushed out of their comfort zone in order to inspire, shock and entice the audience. Works like Elgar’s The Dream of Gerontius and Schönberg’s Friede auf Erden made a huge impact on the choral landscape.
In the modern era, new choral genres such as Gospel Choir, Pop Ensembles and Jazz & Swing emerged. Composers like John Rutter, Karl Jenkins, Bob Chilcott and Andrew Lloyd Webber have become very popular.
für Solostimmen (SST(A)TB), gemischten Chor (SST(A)TB) und Orchester
Einzelstimme Violine / Viola
for: Soloists, mixed choir, orchestra, basso continuo
Single part(n)
Item no.: 678075
für Solostimmen (SST(A)TB), gemischten Chor (SST(A)TB) und Orchester
Einzelstimme Violine / Flöte / Oboe 2
for: Soloists, mixed choir, orchestra, basso continuo
Part 2 (violin / flute / oboe)
Item no.: 678074
Beatus vir
for: 6 soloists (SSATBB), 2 mixed choirs (SATB, SATB), 2 oboes, 2 string orchestras, 2 organs
Single part(n)
Item no.: 424281
aus der Notenbibliothek von Johann Sebastian Bach
for: Soloists, mixed choir (SSATTB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 424180
Graduale
for: Mixed choir (SATB), baroque orchestra
Cello (orchestral part)
Item no.: 423964
Choral
Die deutsche Fassung des Te Deums entstand als Auftragskomposition zum 1000jährigen Bestehen des Deutschen Reiches im Berliner Dom.
for: 4 soloists (SATB), 2 mixed choirs (SATB, SATB), orchestra, organ
Viola (orchestral part)
Item no.: 423880
for: Mixed choir (SSATB), orchestra
Cello (orchestral part)
Item no.: 466195
O how fair are all thy dwellings
for: 2 mixed choirs (SATB, SATB); 8 melodic instruments (colla parte), basso continuo ad lib.
Instrumental part 4 (Choir 1)
Item no.: 1136828
for: 2 mixed choirs (SATB, SATB); 8 melodic instruments (colla parte), basso continuo ad lib.
Instrumental part 4 (Choir 2)
Item no.: 1121060
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 1642652
Choralkantate
BuxWV 20
for: Mixed choir (SSATB), 2 violins, violone, basso continuo
Violin 2 (orchestral part)
Item no.: 1670550
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 237811
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 237810
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Cello (orchestral part)
Item no.: 237747
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Cello, double bass (orchestral part)
Item no.: 237707
Saint Benedict Cantata
Konzertwerk aus der Reihe Musica Sacra
for: Mixed choir a cappella
Single part
Item no.: 659582
für Sopran- und Bariton-Solo, Chor und Orchester
for: 2 soloists (SBar), mixed choir (SATB), orchestra, organ
Cello 1 (orchestral part)
Item no.: 343039
für Sopran- und Bariton-Solo, Chor und Orchester
for: 2 soloists (SBar), mixed choir (SATB), orchestra, organ
Viola 2 (orchestral part)
Item no.: 343038
"Actus tragicus"
Bärenreiter Urtext
for: Mixed choir (SATB), baroque orchestra
Viola da gamba 2 (orchestral part)
Item no.: 612475
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 443818
"Harmony Mass"
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 554479
"Harmony Mass"
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello, double bass (orchestral part)
Item no.: 554478
for: Women's choir (SA), strings, organ
Cello (orchestral part)
Item no.: 479979
Cantata for the 11th Sunday after Trinity
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (STB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 797220
Cantata for the Feast of Ascension
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Single part Basso continuo
Item no.: 797167
Cantata for the Feast of Ascension
Urtext Stuttgarter Bach-Ausgaben
for: 3 soloists (ATB), mixed choir, orchestra, basso continuo
Viola (orchestral part)
Item no.: 797166
Cantata for the 18th Sunday after Trinity
Urtext Stuttgarter Bachausgaben
for: Soloist (alto), mixed choir (SATB), orchestra, basso continuo
Viola (orchestral part)
Item no.: 771440
Cantata for the 18th Sunday after Trinity
Urtext Stuttgarter Bachausgaben
for: Soloist (alto), mixed choir (SATB), orchestra, basso continuo
Single part Basso continuo
Item no.: 771439
Warburton E 14
Responsorium. Mailänder Vesperpsalm
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (SA), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 693164
Kantate zum Sonntag nach Neujahr
Viola
for: 3 soloists (SAT), mixed choir (SATB), 2 violins, viola, basso continuo
Viola (orchestral part)
Item no.: 681098
in due cori
Stuttgarter Vivaldi Ausgaben - Urtext
for: 4 soloists (SATB), 2 mixed choirs (SATB, SATB), 2 orchestras
Single part Organ
Item no.: 680217
für Soli, gemischten Chor, 2 Oboen (Englischhörner), Streicher und Bc Hob. XXbis
Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Single part Organ
Item no.: 674164
Psalm 129
for: Soloists, mixed choir (SATB), orchestra, organ
Viola 2 (orchestral part)
Item no.: 1121042
Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Double bass (orchestral part)
Item no.: 678999
Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Cello (orchestral part)
Item no.: 678998
German Magnificat
for: 2 mixed choirs (SATB, SATB), basso continuo
Instrumental part 4 (Choir 2)
Item no.: 1105999
Urtext Stuttgart Handel Edition
for: Soloists, mixed choir, orchestra
Viola (orchestral part)
Item no.: 779143
Passions-Oratorium in drei Teilen
Violoncello
for: 6 soloists (SATTBB), mixed choir (SATB), orchestra
Cello, double bass (orchestral part)
Item no.: 384944
Laßt Gott erstehn HWV 256b
Bärenreiter Urtext
for: Soloists, mixed choir, orchestra
Oboe (orchestral part)
Item no.: 172111
Laßt Gott erstehn HWV 256b
Bärenreiter Urtext
for: Soloists, mixed choir, orchestra
Violin 1 (orchestral part)
Item no.: 171883
Bärenreiter Urtext
for: Soloists, mixed choir, orchestra
Violin 1 (orchestral part)
Item no.: 171631
'Creation Mass'
Urtext of the Joseph-Haydn Complete Edition
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 133249
Cantata for the 3rd Sunday in Advent (Reconstruction)
Stuttgarter Bach-Ausgaben
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 2 (orchestral part)
Item no.: 234054
Kantate zum 9. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Single part Organ
Item no.: 233626
Kantate zum 16. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Violin 1 (orchestral part)
Item no.: 233488
Kantate zum 14. Sonntag nach Trinitatis
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 233285
Cantata for the 13th Sunday after Trinity – Du sollt Gott, deinen Herren, lieben
Urtext Stuttgarter Bach-Ausgaben – revised edition 2017
for: 4 soloists (SATB), mixed choir (SATB), orchestra, basso continuo
Violin 1 (orchestral part)
Item no.: 233272
Kantate zum 1. Pfingsttag
Ausgabe nach der 1. Fassung; Entstehung evtl. früher, Niederschrift spätestens zu Pfingsten 1723
for: 2 soloists (SB), mixed choir (SATB), orchestra, organ
Viola (orchestral part)
Item no.: 233018