Content
- Facsimiles
- Signs and conventions
- Sources
- Critical Commentary: I, Cadenza, II, III
- Appendices
- Bibliography
Bärenreiter Urtext
Beethoven’s Piano Concerto No. 3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation, dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beethoven placed slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics and notes. In particular, the orchestral parts have been corrected for the first time since Beethoven’s lifetime.
Bärenreiter Urtext
for: 2 pianos
Piano score, solo part (Urtext edition)
Item no.: 622722
Bärenreiter Urtext
for: Piano, orchestra
Score (Urtext edition)
Item no.: 623438
Bärenreiter Urtext
for: Piano, orchestra
Study score (Urtext edition)
Item no.: 657700
Bärenreiter Urtext
for: Piano, orchestra
Harmony parts (complete winds)
Item no.: 696422
Bärenreiter Urtext
for: Piano, orchestra
Violin 1 (orchestral part)
Item no.: 696418
Bärenreiter Urtext
for: Piano, orchestra
Violin 2 (orchestral part)
Item no.: 696419
Bärenreiter Urtext
for: Piano, orchestra
Viola (orchestral part)
Item no.: 696420
Bärenreiter Urtext
for: Piano, orchestra
Cello, double bass (orchestral part)
Item no.: 696421