The turn of the 19th century saw the dawn of Romanticism. This artistic and cultural movement was constantly striving for new ideas and new beginnings, during a particularly turbulent time in social, political and natural history. Browse our sheet music and scores, and explore all the romantic masters and their works today.
The reason and order of the classical period were balanced out in the romantic period by emotion and imagination. The word romanticism is derived from the French literary terms roman and romantique. Programme music uses melodies and instrumental colours to tell a story, to take the listener on a musical journey. The most prominent of all program music is undoubtedly the symphonic poem, created, explored and developed by composers such as Franz Liszt and Bedřich Smetana.
Compared to the Classical Period, the melodies of the romantic period became less and less regular and symmetrical, and the harmony more and more chromatic and dissonant. As the romantic period progressed, the possibilities of traditional tonality became more and more exhausted, and the beginning of the 20th century saw the departure from classical structure and form, and the movement towards modern and contemporary classical music.
In order to broaden the sound palate which set the mood and atmosphere for the romantic period, new instruments began to appear in the orchestra, and voices began to be deployed, choirs and soloists began to be introduced into traditional instrumental works. Throughout the 19th century, the fashion was expansion, both in music for Symphony Orchestra and in Choral Music, the forces grew and grew, far beyond the imagination of any of the classical composers of the previous century.
In the 19th century, Opera flourished, be it Italian verismo, French "Grand Opera", or Wagner’s new world of music theatre. The most important opera composers of the 19th century were Giacomo Meyerbeer, Gioacchino Rossini, Gaetano Donizetti, Vincenzo Bellini, Jacques Offenbach, Richard Wagner and Giuseppe Verdi.
Urtext-Edition
for: Clarinet, bassethorn [2 clarinets], orchestra
Violin 2 (orchestral part)
Item no.: 229321
for: Flute, piano
Piano score, solo part
Item no.: 228936
for: Accordion
Single edition
Item no.: 221511
for: Voice (tenor/soprano), piano
Music score
Item no.: 988790
für Klarinette, Fagott und Orchester
for: Clarinet, bassoon, orchestra
Violin 2 (orchestral part)
Item no.: 675220
(aus Nussknacker Suite)
for: Accordion orchestra
Set of parts
Item no.: 1690236
für Orchester
Violine 2
for: Symphonic orchestra
Violin 2 (orchestral part)
Item no.: 683419
nach dem Trio für Klavier, Klarinette, Fagott (Violoncello)
for: Violin, viola, piano
Piano score
Item no.: 1019820
Eulenburg Studienpartituren
Item no.: 622304
komponiert im Januar 1816
– Erstdruck –
for: Horn, piano
Piano reduction, solo part
Item no.: 1652753
for: Piano
Score
Item no.: 852821
für Orchester
Violoncello
for: Cello
Cello (orchestral part)
Item no.: 674591
for: Flute
Music score
Item no.: 1215249
for: 2 Git Vc
Item no.: 636345
Motette op. 12,1 für gemischten Chor und Orgel
for: Mixed choir (SATB), organ
Choir score
Item no.: 649532
Walzer
for: Symphonic orchestra
Violin 1 (orchestral part)
Item no.: 636148
Walzer
for: Symphonic orchestra
Viola (orchestral part)
Item no.: 636132
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 1201285
Choir part Bass
Item no.: 247305
Buch
Item no.: 248927
Buch
Item no.: 248918
for: Opera
Buch
Item no.: 248884
Buch
Item no.: 248869
Buch
Item no.: 250157
for: Opera
Buch
Item no.: 250119
Buch
Item no.: 250048
Buch
Item no.: 249851
Buch
Item no.: 249731
Buch
Item no.: 249706
for: Opera
Buch
Item no.: 249548
Item no.: 111636
(complete)
for: Symphonic orchestra
Harmony parts (complete winds)
Item no.: 141827
for: Accordion orchestra
Score
Item no.: 140276
for: VL ZUPFORCHESTER
Score
Item no.: 130876