Germany
Austria
Switzerland
Netherlands
Belgium
France
Luxembourg
Italy
Spain
Portugal
Denmark
Finland
Sweden
Poland
Czech Republic
United Kingdom
Content
- List of Repertory
- Abbreviations and Sigla
- Preface
- Introduction to the Edition:
- I. The Benevetan Repertory:
- Principal Sources of Beneventan Music
- Musical Contents of the Edition
- II. Pitch and Transcription:
- Repeated Melodic Figures
- Imperfections of Heightening
- Procedure and Goals
- Modality
- III. Music in Beneventan Style:
- Music in Beneventan Style in Manuscripts for the Mass
- Music in Beneventan Style in Manuscripts for the Office
- The Notation of Music in Beneventan Style in Pitch-Specific Sources
- The Notation of Pitch in the Editions of Music in Beneventan Style
- IV. The Notation of the Beneventan Repertory:
- Basic Neumes
- Special Neumes
- Compound Neumes
- Liquescence
- Graphic Changes in the Later Eleventh and Twelfth Centuries
- Neumes in Performance
- V. The Typeface:
- The Staves
- The Main Typeface
- Glyphs for Manuscripts of the Late Eleventh and Twelfth Centuries
- Typefaces for Bari 1 (Exultet Roll), Bodmer 74 (Gradual for Santa Cecilia in Trestevere), Ben 21, and Salerno 4
- VI. Manuscrips:
- Manuscripts Sources of Beneventan Chant
- Rotuli and Codices Preserving the Beneventan Melody of the Exultet
- VII. Bibliography:
- Appendices:
- Appendix 1: Most Common Repeated Figures
- Appendix 2: Table of Repeated Melodic Figures
- Appendix 3: Some Examples of Structural Repetition
- Appendix 4: Beneventan Masses
- Appendix 5: Translations
- The Editions:
- A Practical Guide to Beneventan Notation
- Part I. The Music of the Beneventan Rite:
- Mass Proper
- Music for Holy Week
- Mass Ordinary
- Varia
- The Office
- Part II. Music in Beneventan Style:
- Music in Beneventan Style in Manuscripts of the Mass
- Music in Beneventan Style in Manuscripts of the Office
- Critical Report:
- Editorial Method
- Critical Notes
- Alphabetical Index of Repertory
