Easy Concert Pieces 1

22 Pieces from 5 Centuries

K. Thielemann: Easy Concert Pieces 1, TrpKlav (KlvpaStOnl) (0)K. Thielemann: Easy Concert Pieces 1, TrpKlav (KlvpaStOnl) (1)K. Thielemann: Easy Concert Pieces 1, TrpKlav (KlvpaStOnl) (2)K. Thielemann: Easy Concert Pieces 1, TrpKlav (KlvpaStOnl) (3)K. Thielemann: Easy Concert Pieces 1, TrpKlav (KlvpaStOnl) (4)

Luis Milán: Pavane (Demo)

Luis Milán: Pavane (Play-Along)

Adam Krieger: Menuett (Demo)

forTrumpet (B-flat), piano
Musical EditionsPiano score, solo part, online audio (playback)
Item no.776661
ArrangerKristin Thielemann
Levelvery easyeasy
Scope56 pages; 23 × 31 cm
Release year2021
Publisher / ProducerSchott Music
Producer No.ED 22555D
ISBN9783795721992
ISMN9790001213363

Description

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons.

All the pieces are recorded and included as audio download files with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, separate parts for trumpet in C accompanying each book are available for download at www.schott-music.com.

Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c´, with d´ appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners.

Volume 2 contains easy to intermediate pieces with a range no higher than f´. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts.

Volume 3 is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g´, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes.

Content

  • L. Milán (ca.1500–1561): Pavane
  • T. Susato (ca.1510–ca.1570): Rondo
  • T. Susato: La Mourisque
  • J. H. Schein (1586–1630): Deutscher Tanz
  • A. Krieger (1634–1666): Menuett
  • H. Purcell (1659–1695): Rondeau
  • J. Clarke (1674–1707): The Duke of Gloucester’s March
  • A. Vivaldi (1678–1741): Allegro (aus Herbst)
  • G. F. Händel (1685–1759): Gavotte (aus Atalanta)
  • G. F. Händel: Menuett (aus Feuerwerksmusik)
  • J. S. Bach (1685–1750): Marsch (aus: Vereinigte Zwietracht der wechselnden Saiten)
  • W. A. Mozart (1756–1791): Là ci darem la mano (aus Don Giovanni)
  • J. Hook (1746–1827): Allegro moderato
  • L. van Beethoven (1770–1827): Freude schöner Götterfunken (aus Sinfonie Nr. 9)
  • J. Offenbach (1819–1880): Cancan (aus Orpheus in der Unterwelt)
  • A. Dvorák (1841–1904): Largo (aus Sinfonie aus der Neuen Welt)
  • E. Grieg (1843–1907): Morgenstimmung (aus Peer Gynt Suite)
  • E. Humperdinck (1854–1921): Der kleine Taumann (aus Hänsel und Gretel)
  • G. Koeppen (*1958): Windlied
  • G. Koeppen: Chill-Out
  • R. Ender (*1964): Soul Pop
  • K. Thielemann (*1978): Gespenstergeschichte
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