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Content
- Le Rossignol en amour
- Double du Rossignol
- Canaries
- Double des Canaries
- Les Fauvètes plaintives
- Le Gazouillement
- La Linote éfarouchée
From “Pièces de Clavecin” transcribed for descant-/tenor recorder and harpsichord, edited by Dagmar Wilgo with a basso continuo realisation by Friedemann Brennecke. In the preface of his Pièces de Clavecin, Couperin explicitly mentioned having the upper voice played by a flute, and leaving the continuo duties to the harpsichordist.
He refers to this in connection with pieces in which the hands cross. “Le Rossignol en amour” additionally bears this instruction quite clearly in a footnote. They are intended for concert performances by advanced pupils.
aus dem Fitzwilliam Virginal Book (1619)
for: Descant (soprano) recorder, harpsichord
Piano score, solo part (anthology)
Item no.: 419287
Aria quinta aus Libro III (1642)
Recorders Library
for: Descant (soprano) recorder, organ [harpsichord]
Score, solo part
Item no.: 762933
for: Descant (soprano) recorder, harpsichord
Score, part
Item no.: 174400
for: Descant (soprano) recorder, harpsichord
Score, Parts
Item no.: 172962
Progressive Anthology of dances from the French Renaissance
for: Descant recorder [treble recorder/ tenor recorder], keyboard instrument
Score, Parts
Item no.: 776993
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