The classical modern period, 1900-1945, saw a great deal of cultural change, and many different composers helped shape the musical landscape of the early 20th century. Browse our sheet music and scores, take a look at our Classical Modern Sheet Music Downloads, and explore the wide world of classical modernism with Stretta Music today
The horrors of World War I brought about such a shift in perspective, that art would never be the same again. The cultural and social changes that had already begun at the end of the 19th century led to new prospects, which were mirrored and expressed through various innovative artistic movements, them sum of which is called Classic Modernism.
During the 20th century, the boundaries of tonality were stretched so far that one could no longer speak of tonal music. The most striking examples of this are polytonality, employed by composers like Igor Stravinsky, Béla Bartók, and Charles Ives, and to an even greater extent serialism, the twelve-tone music of Arnold Schönberg and his students.
The rise of nationalism in the late 19th century sparked a great interest in rediscovering folk music. New technical developments, such as the invention of the phonograph, also made it easier to document and collect folk music. Great folk Pioneers were the Romanian composer Béla Bartók, the Czech composer Leo Janáček, the Hungarian composer Zoltán Kodály, and the Australian-American composer Percy Grainger.
This development led to a new idiom within classical music, both melodically and rhythmically. Good examples of the integration of folklore into classical modern music are the melodies from Janáček’s Jenufa, which are based on the rhythm and intonation of the Czech language, and Bartók’s Second Violin Rhapsody.
Expressionists aimed to capture true emotions without glossing over them. Above all, they looked at the subjective inner world, in contrast to the outer world, and left all traditional ideals of beauty behind.
Expressionist music is characterised by dissonance, extreme dynamics and great contrasts in colour, pitch and effect. In music, expressionism is generally associated with the Second Viennese School, founded by Arnold Schönberg and his students Anton Webern and Alban Berg, and the dodecaphonic, twelve-tone technique they used, known as serialism.
Examples of expressionist music include Schönberg’s Erwartung, 1909, and Berg’s Wozzeck, 1922.
Another classical modern departure from the ideals of the Romantic Period was to draw on forms and tropes of the Baroque Period and the Classical Period. This was expressed in the use of traditional musical forms, as in Martinů’s Concerto da Camara, 1937, the use of traditional instrumentation, as in Manuel de Falla’s Concerto for Harpsichord, Flute, Oboe, Clarinet & Cello, 1926, and also in the use of thematic material from the 18th and 19th centuries, such as in Stravinsky’s Pulcinella, 1920.
for: Männerchor (TTBB) mit Solo (Bar), Horn in Es, Trompete in B und Klavier
Einzelstimme
Item no.: 204518
for: Frauen- und Jugendchor
Choir score
Item no.: 281056
for: Frauen- oder Jugendchor
Choir score
Item no.: 281042
for: Soloists, mixed choir, orchestra
Lyric book
Item no.: 199283
for: Concert band
Einzelstimme
Item no.: 212672
for: Viola [violin/cello], string orchestra
Viola (orchestral part)
Item no.: 212411
for: Male choir (TTBB) a cappella
Choir score
Item no.: 202373
for: Mandolinen-Quartett (2 Mandolinen, Mandola, Gitarre)
Stimmensatz
Item no.: 201575
for: Concert band
Einzelstimme
Item no.: 201528
for: Bariton und Orchester
Score, Parts
Item no.: 201446
for: für Soli: Sopran, Alt, Tenor, Bass, Chor SATB, Orgel und Orchester Tenor
Choir part
Item no.: 1135183
Theory and practice
for: Violin
Music score
Item no.: 1654600
for: Brass winds (4 parts)
Part 3 in B-flat
Item no.: 1677074
2. Echo vom Himmel "Oh Freudenhimmel"
for: Männerchor (TTBBBB) und Soli (TB)
Choir score
Item no.: 1642015
for: Guitar, orchestra
Harmony parts (complete winds)
Item no.: 142668
for: Mixed choir (SSATBB) a cappella
Choir score
Item no.: 135763
for: Kinderchor (SMez), Melodie-Instrumente und Schlagwerk
Choir score
Item no.: 373170
for: Solo (S oder T), Männerchor (TTBB), Streichorchester und 3 Trompeten ad libitum
Orchestermaterial
Item no.: 369230
for: Violin, viola, cello (string trio)
Set of parts
Item no.: 147155
for: Mixed choir (SATB) a cappella
Choir score
Item no.: 261117
for: Piano
Music score
Item no.: 359016
for: Voice, piano
Item no.: 129800
for: Voice, piano
Item no.: 129787
for: Voice, piano
Item no.: 129780
for: Piano
Item no.: 287992
for: Violin
Item no.: 353807
for: Organ
Music score
Item no.: 353753
for: gemischter Chor (STBar) und Instrumente
Einzelstimme
Item no.: 293582
for: gemischter Chor (STBar) und Instrumente
Choir score
Item no.: 293107
for: 2 violins, viola, cello (string quartet)
Study score
Item no.: 288506
for: Flute, oboe, clarinet, horn, bassoon (wind quintet)
Set of parts
Item no.: 355122
for: Voice (tenor/soprano), piano
Item no.: 351870
for: Tenor-Solo, gemischter Chor (SATB) und Orchester
Piano reduction
Item no.: 351852
for: Männerchor (TTBB), Solo (T) und kleines Orchester
Piano reduction
Item no.: 351780
for: Alt und Kammerorchester
Piano reduction, solo part
Item no.: 351599
for: Voice (high), piano
Item no.: 352622
for: mittlere Männerstimme und Klavier
Item no.: 352399
for: Violine, Bass-Violine (Violoncello) und Klavier
Set of parts
Item no.: 413316
for: Männerchor (TTBB), KCH (SMezSA) und Blasorchester
Piano reduction
Item no.: 351342
for: Symphonic orchestra
Single part Violin 2
Item no.: 171585
for: Concert band
Einzelstimme
Item no.: 1546127
for: Kinder- oder Jugendchor, 2 Flöten, Streichorchester und Klavier, Schlagzeug ad libitum
Single part Violin 1
Item no.: 1545991
for: Unison Voices and Organ
Piano reduction
Item no.: 866663
for: FAG (SAX) KLAV
Single part(n)
Item no.: 102723
from the Symphony No. 5
for: Harp, strings
Violin 1 (orchestral part)
Item no.: 624141
for: Trumpet
Item no.: 158146
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