“Music owes as much to Bach as religion to its founder.” Robert Schumann
It is astounding how abundant and inexhaustible are his works. Johann Sebastian Bach (1685-1750) is more than the epitome of baroque music, and one wonders how a single person could accomplish so much in one lifetime. Show others the brilliance of Bach through Stretta!
After a number of engagements as an organist, in which he often confused more than supported parishes with his improvisational skills and harmonic experiments, in 1708, J. S. Bach was appointed Court Organist & Chamber Musician by the Duke of Saxony-Weimar. It was during this period that he composed most of his organ music. In 1714 he was promoted to Concert Master of the Court Orchestra, and one of his duties was to compose weekly cantatas for the Sunday Service, laying the foundations for the 300 or more Bach Cantatas, of which around 200 remain. For his next position, as Kapellmeister to the Prince of Anhalt-Köthen from 1717, Bach’s role no longer required him to compose sacred music, so it was here that many of any his instrumental works were developed, including The Brandenburg Concertos.
With his last role as Cantor of St. Thomas in 1723, Bach held his first and only official position working for the city, the city of Leipzig. He was responsible for the music at the four main churches in Leipzig, and he taught at St. Thomas’ Boarding School. The St. Thomas’ Boys’ Choir is still one of the most important, and traditional boys’ choirs in the world today. In his final years, despite his steadily declining sight, Bach still created works that are the sum, and pinnacle of counterpoint, such as The Musical Sacrifice or the The Art of Fugue.
As was common in the 18th century, Bach’s works were quickly forgotten after his death. People were only concerned with new music. It was Bach’s sons, and his successors at St Thomas’, who preserved his memory. Composers of the First Viennese School, like Wolfgang Amadeus Mozart and Ludwig van Beethoven, especially admired Bach’s counterpoint, and learned a great deal from him. In the 19th century Bach Renaissance, the St. Matthew Passion was famously rediscovered, and performed in Berlin in 1829 by Felix Mendelssohn-Bartholdy. Another important milestone was the first complete edition of Bach’s works, which was created between 1850-1899. Today’s “New Bach Edition” was published between 1954-2007 by Bärenreiter and has become the authoritative Bach edition. The Original Manuscript of Bach’s B Minor Mass was declared a UNESCO World Document Heritage in 2015.
Johann Sebastian Bach came from a long line of musicians, whose family dated back centuries. Four of his sons continued this tradition, also becoming composers, ending up in London and Milan. With their works, they bridge the gap between baroque and classical music.
für Gesang Violine u. Orgel
for: Voice, violin, piano
Item no.: 143071
für Sopran (Tenor) oder für Alt (Bariton) und Klavier
for: Voice, piano
Item no.: 105969
2. Fassung mit 4 Einlagesätzen der Es-Dur-Fassung (transponiert)
BÄRENREITER URTEXT
for: Basso continuo, Orgel
Stimme, Urtextausgabe
Item no.: 133785
Melodie: Straßburg (1538)
for: gemischter Chor (SAATBB) oder 6 Solostimmen
Music score
Item no.: 739509
Mel.: Wittenberg 1529 (Weihnachten)
for: Mixed choir (SABar) a cappella
Music score
Item no.: 730040
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Choir score (Urtext edition)
Item no.: 1582667
Akkordeon
for: Accordion
Music score
Item no.: 135251
Piano Solo
for: Piano
Music score
Item no.: 316885
Pièces célèbres
for: Guitar
Music score
Item no.: 749902
Coach Me - Tenor Solo
2 Playback-CDs (without sheet music)
Item no.: 1666555
for: Symphonic orchestra
Einzelstimme
Item no.: 1077093
from the Christmas Oratorio
for: Concert band
Score, Parts
Item no.: 681074
Oratorium
for: SSA , Keyboard [Organ or Piano]
Einzelstimme
Item no.: 1039693
Choräle für Advent und Weihnachten
Bach für Celloquartett, Band 4
for: 4 cellos
4 Performance scores
Item no.: 776098
Ergänzungspaket, Orchestersatz ohne Partitur
for: Mixed choir (SATB), orchestra
Set of parts
Item no.: 1042915
Choräle und Chöre für Blechbläser (Posaunenchor) und Orgel
for: 2 trumpets, 2 trombones, organ
Score
Item no.: 664222
Vorspiel, Fuge und Choral BWV 606/700/248,9
eingerichtet für Streichorchester
for: String orchestra
Score
Item no.: 656097
(complete)
for: Symphonic orchestra
Harmony parts (complete winds)
Item no.: 314165
Bärenreiter Urtext
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Choir part Alto
Item no.: 298434
for: 2 soloists (ST), mixed choir (SSATB), orchestra
Score
Item no.: 484961
for: 3 soloists (ATB), mixed choir (SATB), orchestra, basso continuo
Score
Item no.: 242496
Musizierstunde 230~Blaesermusik In Kleinen Gruppen
for: 4 woodwinds (quartet)
Item no.: 243441
Meditation über das 1. Präludium von J. S. Bach
for: Piano
Music score
Item no.: 419642
für das häusliche Musizieren
Melodiestimme in Tenorlage
for: Melody instrument (C), piano
Score, Parts
Item no.: 697226
from Cantata No. 147
Music for Flute
for: 3 flutes (trio)
Score, Parts
Item no.: 311241
for: Mixed choir; basso continuo ad lib.
Score
Item no.: 277018
Arie aus der Weihnachtskantate "Ehre sei Gott in der Höhe"
für Alt, zwei Flöten, Fagott (Violoncello) und Basso continuo
for: Voice (alto), chamber ensemble
Study score (Urtext edition)
Item no.: 681014
Urtext Stuttgarter Bach-Ausgaben
for: 5 soloists (SSATB), mixed choir (SSATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 344546
Autographe Notenhandschrift im Faksimile; erste Partiturseite des Weihnachtsoratoriums
Beginn des Eingangchores und des Rezitatives "Es begab sich aber zu der Zeit"
Postcard
Item no.: 331582
for: 3 soloists (ATB), mixed choir (SATB), narrator, orchestra
CD
Item no.: 472391
Kantate zum 3. Weihnachtsfesttag (Urfassung)
for: 4 soloists (SATB), mixed choir (SATB), orchestra, organ
Study score
Item no.: 484581
Arie aus der Weihnachtskantate "Ehre sei Gott in der Höhe"
für Alt, zwei Flöten, Fagott (Violoncello) und Basso continuo
for: Voice (alto), chamber ensemble
Score
Item no.: 234076
Cantata for the 2nd day of Pentecost
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (SB), mixed choir (SATB), orchestra, basso continuo
Study score (Urtext edition)
Item no.: 233137
SoundTrax CD
for: Choir
CD
Item no.: 935617
Jesu, bleibet meine Freude
Music Box
for: Flexible wind ensemble (5 voices)
Score, Parts
Item no.: 320591
for: Flexible wind ensemble (4 voices)
Score, Parts
Item no.: 194060
for mixed chorus and organ
for: Mixed choir (SATB), organ
Choir score
Item no.: 317301
for: Clarinet, string orchestra
Score, Parts
Item no.: 591311
from "Magnificat"
for: Brass ensemble (5 parts)
Score, Parts
Item no.: 597155
Edition Schott
for: Guitar
Music score
Item no.: 749473
Sacred Christmas Choral
for: Choir (2 voices), piano
Choir score
Item no.: 803575
Kantate zum 1. Weihnachtstag
Urtext Stuttgarter Bach-Ausgaben
for: 2 soloists (ST), mixed choir (SSATB), orchestra, basso continuo
Choir score (Urtext edition)
Item no.: 680139
Willis
for: 2 pianos
Music score
Item no.: 456950
CD
Item no.: 482654
for: Mixed choir (SATB) [4 voices (SATB)]
Music score
Item no.: 731579
Mel.: Straßburg 1577 (Tod und Ewigkeit)
for: Mixed choir (SABar) a cappella
Music score
Item no.: 730073
aus dem Magnificat (Weihnachten)
for: 3-stimmiger gemischter Chor (SABar) a cappella und Orgel
Music score
Item no.: 730043
Aus BWV 248 Nr. 9: Choral "Ach, mein herzliebes Jesulein"
for: Mixed choir (SABar), piano
Music score
Item no.: 722937
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