Content
- Facsimiles
- Signs and conventions
- Sources
- Critical Commentary:
- I
- II
- III
- Cadenzas and Eingang
- Appendices
- Bibliography
Bärenreiter Urtext
The autograph to Beethoven’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.
Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (even Urtext editions) have now been corrected.
Thus, this new Bärenreiter Urtext edition presents Beethoven’s famous work in the clarity which it deserves.
Orchestral scoring:
1,2,2,2 - 2,(Clarini),0,0 - Pke - Str(1,1,1,1,0)
Bärenreiter Urtext
for: 2 pianos
Piano score, solo part (Urtext edition)
Item no.: 633122
Bärenreiter Urtext
for: Piano, orchestra
Score (Urtext edition)
Item no.: 633108
Bärenreiter Urtext
for: Piano, orchestra
Study score (Urtext edition)
Item no.: 657701
Bärenreiter Urtext
for: Piano, orchestra
Harmony parts (complete winds)
Item no.: 696414
Bärenreiter Urtext
for: Piano, orchestra
Violin 1 (orchestral part)
Item no.: 696410
Bärenreiter Urtext
for: Piano, orchestra
Violin 2 (orchestral part)
Item no.: 696411
Bärenreiter Urtext
for: Piano, orchestra
Viola (orchestral part)
Item no.: 696412
Bärenreiter Urtext
for: Piano, orchestra
Cello, double bass (orchestral part)
Item no.: 696413