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- Satz
- Andante
- Allegro assai
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent.
Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music
for: Violin, strings, basso continuo
Piano reduction (Urtext edition)
Item no.: 145026
for: Violin, strings, basso continuo
Single part (Violin solo)
Item no.: 192832
for: Violin, strings, basso continuo
Violin 1 (orchestral part)
Item no.: 295664
for: Violin, strings, basso continuo
Violin 2 (orchestral part)
Item no.: 295666
for: Violin, strings, basso continuo
Viola (orchestral part)
Item no.: 295667
for: Violin, strings, basso continuo
Cello, double bass (orchestral part)
Item no.: 295668
for: Violin, strings, basso continuo
Single part Harpsichord
Item no.: 295663
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