Alemania
Austria
Suiza
Países Bajos
Bélgica
Francia
Luxemburgo
Italia
España
Portugal
Dinamarca
Finlandia
Suecia
Polonia
República Checa
Gran Bretaña
Contenido
- Introduction
- Part 1. The Techniques of Elementary Counterpoint
- 1. Cantus Firmus and First Species
- 1. Cantus Firmus
- 2. Two-part Counterpoint, First Species
- 3. Three-part Counterpoint, First Species
- 2. Second Species
- 1. Two-part Counterpoint
- 2. Three-point Counterpoint
- 3. Third Species
- 1. Two-part Counterpoint
- 2. Three-part Counterpoint
- 3. Three Notes against One
- 4. Fourth Species
- 1. Two-part Counterpoint
- 2. Three-part Counterpoint
- 5. Fifth Species
- 1. Two-part Counterpoint
- 2. Three-part Counterpoint
- Part 2. The Techniques of Prolonged Counterpoint
- 6. Counterpoint in Composition, I
- 1. The Direct Application of Species Counterpoint
- 2. Two Major Influences on Contrapuntal Texture
- 7. Counterpoint in Composition, II
- 1. Melodic-contrapuntal Prolongations
- 2. Counterpoint within Prolonged Chords
- 3. The Evolution of Dissonance
- 4. Repetition and Articulation
- 5. Harmonic Influences on Voice Leading
- 6. Chromaticism; Contrapuntal Leading-tone Chords
- 7. Octaves and Fifths
- 8. The Chorale
- 1. The Elements of Chorale Writing
- 2. Setting a Single Phrase
- 3. Setting Groups of Two or More Phrases
- 4. The Complete Chorale
- 9. Combined Species
- 1. Combination of Two Second Species
- 2. Combination of Second and Third Species
- 3. Combination of Second and Fourth Species
- 4. Combination of Third and Fourth Species
- 5. Combination of Two Fifth Species
- 6. Progressions from Combined Species in Composition
- 10. Voice-Leading Techniques in Historical Perspective (ca. 1450-ca. 1900)
