'For me this was a rare process of events, having a title for a piece almost a year before it was actually written. It originated during a conversation with the harpist Marshall McGuire (for whom it was written) over coffee. The piece became a set of 13 chords, split into groups of seven and six. The piece is dominated by the playful ’creepiness’ of the harmonies, which I send through various stages of development, in order to explore the rich color of the sound of the harp.'