Alemania
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Francia
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Gran Bretaña
Contenido
- John Coltrane
- The Style of John Coltrane
- Jazz Language
- Guide Tones
- Bebop Scales
- Mixolydian Bebop
- Major Bebop
- Minor Bebop
- Scalar Patterns
- 3-9
- Augmented Dominant
- Playing the Upper-Structure of Chords
- Targeting
- Substitutions
- John Coltrane's Style
- Summary
- Minor Chord Material
- Track 1: Tuning
- Track 2: Minor Chord Vamp
- Track 3: Minor Moving in Fourths
- Dominant Seventh Chord Material
- Track 4: Dominant Seventh Vamp
- Track 5: Dominant Seventh Moving in Fourths One Measure II-V (Short II-V) Material
- Track 6: Short II-V Vamp
- Track 7: Short II-V Moving in Fourths
- Two Measure II-V (Long II-V) Material
- Track 8: Long II-V Vamp
- Track 9: Long II-V Moving in Fourths
- Major (I) Chord Material
- Track 10: Major Vamp
- Track 11: Major Moving in FourthsMinor II-V Material
- Track 12: Minor II-V Vamp
- Track 13: Minor II-V Moving in Fourths
- Play Along Recordings
- Track 14: Short II-V-I Vamp
- Track 15: Short II-V-I Moving in Fourths
- Track 16: Long II-V-I Vamp
- Track 17: Long II-V-I Moving in Fourths
- Track 18: Minor II-V-i Vamp
- Track 19: Minor II-V-I Moving in Fourths
- Turnarounds
- Track 20: Turnaround Vamp
- Track 21: Turnaround Moving in Fourths
- Creating Solos
- Track 22: Creating Solos
- Track 23: Progression Similar to Pent Up House
- Coltrane Changes/Giant Steps
- Practicing Coltrane Changes
- Track 24: Long II-V-I with Coltrane Changes Vamp
- Track 25: Long II-V-I with Coltrane Changes Moving in Fourths
- Track 26: Eight Measure Giant Steps Vamp
- Track 27: Progression Similar to Giant Steps
- Superimposing the Coltrane Changes
- Track 28: Blues for a Giant
- Track 29: Snap ShotsConclusion
- Selected Discography
- About the Authors
