Contenu
- Vorwort
- Fotografien
- Dispositionen
- Faksimilia
- Passacaglia
- Canons und Fuge über den Choral "Vater unser im Himmelreich"
- Zwei Studien über den Choral "Vater unser im Himmelreich"
- Appendix
- Kritischer Bericht
Wilhelm Middelschulte. Sämtliche Orgelwerke 1 (Sammelband, Urtextausgabe) (Collection, Texte original)
Wilhelm Middelschulte (1863–1943) studied church music in Berlin and headed the organ department at the American Conservatory in Chicago and the Wisconsin Conservatory in Milwaukee from 1891 onwards. As a virtuoso organist he had a formative impact on American organ music: even Ferruccio Busoni called him a “master of counterpoint” and the greatest contrapuntist since J. S. Bach.
Middelschulte’s œuvre consists entirely of organ works. He was a “modern classicist” firmly rooted in the 19th century tradition, yet strongly attached to baroque contrapuntal forms, and especially the works of Johann Sebastian Bach, with which he sought to rise above the compositional norm of his time. The result was a combination of romantic virtuosity with a vision of music that was anything but antiquarian, despite its historical models.
The D minor Passacaglia works on the same formal level as Bach’s famous Passacaglia in C minor. The Canons and Fugue on “ Vater unser im Himmelreich ” demonstrate the formal rigour that typifies Middelschulte’s music as a whole.
Wilhelm Middelschulte. Complete Organ Works II
Bärenreiter Urtext
pour: Orgue
Partition (texte original)
№ d’article: 483944
Wilhelm Middelschulte. Complete Organ Works III
Bärenreiter Urtext
pour: Orgue
Partition (texte original)
№ d’article: 551965
Wilhelm Middelschulte. Complete Organ Works IV
Bärenreiter Urtext
pour: Orgue
Partition (texte original)
№ d’article: 579368
Wilhelm Middelschulte. Complete Organ Works V
Bärenreiter Urtext
pour: Orgue
Partition (texte original)
№ d’article: 586188
Leben und Werk
pour: Orgue
Livre (relié)
№ d’article: 474982