Contenu
- Preface
- Vorwort
- Capriccios and Excercises for the Violoncello op. 15:
- No. 1
- No. 2
- No. 3
- No. 4
- No. 5
- No. 6
- No. 7
- No. 8
- No. 9
- No. 10
- No. 11
- No. 12
- Critical Commentary
Bärenreiter Urtext
Robert Lindley (1776–1855) was the premier cellist in England for more than 50 years. In 1822 he became the first professor of cello at the Royal Academy of Music in London, where he remained until his retirement in 1851. Lindley, an esteemed and much sought-after teacher, wrote not only the present “Capriccios” but also a cello method, several concertos, and chamber music in which the cello is prominently featured.
The “Capriccios and Exercises” contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position and many passages of double stops, all within a melodious framework. Barenreiter’s scholarly performing edition is edited by Valerie Walden, offering cellists and teachers outstanding new material for use in lessons.
für Fagott (Violoncello), Viola und Violoncello
pour: Basson, violon alto, violoncelle
Conducteur, partitions seules
№ d’article: 682931
for Violoncello and Pianoforte
Bärenreiter Urtext
pour: Violoncelle, piano
Partition musicale piano, partition seule (texte original)
№ d’article: 679977
pour: Violoncelle
Méthode (avec partition)
№ d’article: 681841
with an accompaniment of a second Violoncello
pour: 1–2 violoncelles
Partition d'ensemble, partition seule
№ d’article: 369814