Partita

0 Condensed Score - 1 Full Score - 1 Piccolo - 8 Flute - 2 Oboe - 1 Bassoon I - 1 Bassoon II - 1 Clarinet Eb - 4 Clarinet Solo - 4 Clarinet I - 4 Clarinet II - 4 Clarinet III - 1 Alto Clarinet Eb - 1 Bass Clarinet - 1 Soprano Saxophone - 4 Alto Saxophone - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 1 Flugelhorn Solo - 2 Flugelhorn I - 1 Flugelhorn II - 1 Flugelhorn III - 2 Cornet I - 2 Cornet II - 2 Trumpet I - 2 Trumpet II - 1 Horn I Eb - 1 Horn II Eb - 1 Horn III Eb - 1 Horn IV Eb - 1 Tenorhorn I - 1 Tenorhorn II - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone C - 1 Baritone Bb (BC) - 1 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Percussion Various - 2 Drums I - 1 Drums II - 1 Timpani

You will not find much of this modernism in the 'Partita' (1961). With this composition van Baaren clearly wanted to write playful music in the style of Hindemith. The suite has a neo-classical character, is easy to perform and is easy on the ear. The introducing Intrada is followed by a Bourrée the theme of which also appears in reverse. The Sarabande is followed by a extremely well composed Gigue (Jig).