Belcanto Ouverture

0 Full Score A3 - 1 Full Score - 8 Flute - 2 Oboe - 2 Bassoon - 1 Clarinet Eb - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Bass Clarinet - 1 Soprano Saxophone - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 1 Flugelhorn Eb - 2 Flugelhorn I - 2 Flugelhorn II - 1 Flugelhorn III - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 2 Horn I F/Eb - 1 Horn II F/Eb - 1 Horn III F/Eb - 2 Trombone I C - 1 Trombone I Bb (BC/TC) - 2 Trombone II C - 1 Trombone II Bb (BC/TC) - 2 Trombone III C - 1 Trombone III Bb (BC/TC) - 2 Baritone C - 4 Baritone Bb (BC/TC) - 2 Bas Bb (BC/TC) - 2 Bas Eb (BC/TC) - 4 Tuba C - 2 Percussion - 2 Drums - 1 Timpani

This overture has been inspired by the Italian opera and bel canto and this explains why it is extremely melodious. As there is no underlying story, the composition is meant as pure easy listening music. The work starts with an Adagio, a slow canatbile introduction, followed by a lightfooted Allegro Vivo. Then comes the aria, an Andante Rubato which creates a moment of rest. Then the Allegro comes back and the composition ends very joyfully with a short but energetic coda. Finally 'all's well that end's well'.