Johann Christian Bach (1735 – 1782)

Concerto in c-Moll

Solo-Konzert

J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (0)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (1)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (2)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (3)J.C. Bach: Concerto en Ut Mineur, VcKlav (Part.) (4)
Para:
Violonchelo, piano
Material:
Partitura orquestal
№ de artículo:
765377
Autor / Compositor:
Alcance:
30 Páginas
Año de lanzamiento:
2014
Editorial / fabricante:
N.º del fabricante:
SLB 5894
ISMN:
9790048002050

Descripción

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved thatthe Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performedand studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian.

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian

Contenido

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved thatthe Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless, the Concerto has been a success and is today often performedand studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French, English and Italian.

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