Giuseppe Tartini (1692 – 1770)

Sei concerti

Opera prima. Libro primo
Giuseppe Tartini. Edizione nazionale delle opere musicali Serie V/1

for:
Violin, strings, basso continuo
Musical Editions:
Score (Hardcover, Urtext edition)
Item no.:
1715852
Author / Composer:
Editor:
Scope:
151 pages; 26.5 × 33 cm
Release year:
2024
Publisher / Producer:
Producer No.:
BA 11671-01
ISMN:
9790006569540

Description

In 1727, the Amsterdam publisher Michel-Charles Le Cène published a collection of six concertos by Tartini for solo violin and orchestra, entitled Opus 1, "Book 1". It was the prelude to a large-scale publication project of initially twelve, later even 18 concertos, divided into three "books". While the first book was published without the composer's involvement (a legitimate practice at the time), Tartini was directly involved in the publication of the other two volumes.

The publication of these concertos rapidly accelerated the 35-year-old musician's rise from a virtuoso of local importance to a master of his trade with a Europe-wide reputation. The concertos follow the established Venetian form, but make remarkable new demands on bowing techniques to achieve innovative sound qualities, both in the solo part and in the accompanying orchestral parts. The fact that just a few months after publication Tartini founded a school for composition and violin playing in Padua, which trained dozens of first-class musicians, is evidence of the influence he exerted.

In its surviving form, Book 1 contains a large number of problems concerning the musical text, which the editor, Sofia Bisi, was able to solve in this edition by carefully examining all available sources. These include those from Berkeley and Dresden, as well as two autographs of outstanding editorial importance. A detailed historical introduction and a chapter on specific performance practice issues provide an in-depth understanding of Tartini's œuvre.

Content

  • Prefazione all’edizione
  • Preface to the edition
  • Criteri editoriali
  • Editorial policies
  • Introduzione
  • Introduction
  • Aspetti generali di prassi esecutiva
  • General aspects of performance practice
  • Facsimili
  • Sei concerti Opera prima, libro primo
  • Concerto primo g1 (D.85)
  • Concerto secondo e1 (D.55)
  • Concerto terzo F3 (D.60)
  • Concerto quarto D1 (D.15)
  • Concerto quinto F1 (D.58)
  • Concerto sesto A2 (D.89)
  • Appendice I
  • Concerto F1 (D.58), [2] Adagio
  • Movimento sostitutivo
  • Appendice II
  • Concerto A2 (D.89), [2] Adagio
  • Versione alternativa
  • Apparato critico
  • Descrizione e critica dei testimoni
  • Elenco delle varianti
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